His acting training at the Schule für Schauspiel Hamburg until 1993 was physically, sensually and intuitively oriented with approaches by Grotowsky. Stanislawski, Tschechov and the breath work of Wilhelm Reich. Above all, his teacher for improvisation and bodywork laid the foundation for his artistic work by teaching him that the body has its own intuitive, poetic and multi-layered knowledge that can be absolutely relied upon. He applied this knowledge in his own acting and directing work, but soon realized that his passion was coaching and teaching.
From a warmup by Olivia Rüdinger that focused on energy in the body, he developed his own acting technique beginning in 2000. He discovered that the level of energy is a non-judgmental level that enables people to consciously let go and let the intuitive knowledge inherent in the body speak, to grasp it and thereby make it more usable. He considers this knowledge as source and the focusing of this source on artistic or human questions and topics as tuning, similar to tuning the station on a radio. This gave rise to the name SourceTuning.